Eduardo Cossio is a Peruvian-Australian artist working across photography, video, and sound.
Trained as a musician, he is interested in the articulation of space, form, and temporality between photography and other media. Following a studio-based practice, he creates props, stage sets, and light designs to produce ‘fabricated realities’, images that are strongly informed by experimental music approaches. His works create a displacement but also an entanglement between the mediums.
His debut exhibition ‘Transports’ was shown at Spectrum Project Space in early 2024 and it was quickly followed by ‘Stations of Light’ at CURRENT Gallery.
His photography has been acquired by the State Library of WA and featured at the CLIP Awards in 2022 and 2024. His fiction documentary In The Thrall Of The Spirit was screened as part of Audible Edge Festival of Sound 2021.
Eduardo is also a prolific organiser, broadcaster, and writer in the Perth experimental music community.
Solo Exhibitions:
2025 - Trace of Construction, Ellenbrook Arts, March 7 - March 31
2024 - Stations of Light, CURRENT Gallery, July 12 - July 21
2024 - Transports, Spectrum Project Space (ECU Galleries), March 14 - April 17
Group Exhibitions:
2025 - Batavia Unravelled - Geraldton Regional Arts Galleries
2023 - COLLECTIVE - Perth Centre for Photography
2023 - Voices at Boya Community Centre. Presented by the Mundaring Arts Centre and Camera House
2023 - Snapshot: Music Photography from The Archives - State Library of WA
2023 - SINE at Wallace, With Studios.
2022 - Clip Award (finalist) - Perth Centre for Photography
2022 - COLLECTIVE - Perth Centre for Photography
2022 - Snapshot: Music Photography from The Archives - State Library of WA
2021 - Snapshot: Music Photography from The Archives - State Library of WA
Work commissioned by: State Library of Western Australia, Tura New Music, RTRFM92.1, Tone List, Perth Poetry Festival, DADAA Ltd, West Australian Music (WAM).
Contact: eduardo.cossio@outlook.com
For my music work please visit www.eduardocossio.com.
Page logo by Jae Criddle.